Leporello threatens to leave Giovanni, but he is given money and is persuaded to stay. For example, in an aria midway through Act I (the “Catalogue Aria”), Giovanni’s servant, Leporello, reads delightedly from his little black book, listing the many women who have been conquered by Don Giovanni in each of several nations—1,003 women in Spain alone! He has come to demand repentance of the villain; otherwise he is prepared to take Giovanni to hell. Mozart relentlessly spent his time working on the dramma giocoso “Don Giovanni”. This statue starts speaking to Don Giovanni, inviting him to the grave. They hide as she rages at her betrayal at the hands of a scoundrel who had seduced and then deserted her (“Ah! Don Giovanni MP3, Download W.A.Mozart. The opera is based on a legendary fictional character called “Don Juan,” who is a seducer and libertine. When Giovanni becomes angry, Leporello changes the subject to Giovanni’s catalogue of women. Mozart decided to process the material of the seducer of women, Don Juan. A masterpiece by Wolfgang Amadeus Mozart. This album completes this Mozart Da Ponte opera series by Teodor Currentzis with one of Mozart’s most-loved operas, Don Giovanni. Mozart's opera Don Giovanni, first produced in 1787, is a retelling of the story of Don Juan, the famous seducer of women. After sticking to Mozart's more popular lighthearted operas for years, a disapproving friend surprised me with the gift of this recording. Don Giovanni is an Italian opera in two acts. LA STATUA Don Giovanni a cenar teco m’invitasti e son venuto! The opera begins as Don Giovanni is leaving the bedroom of his latest paramour, Donna Anna. Yet Anna has realized, from his voice, that Giovanni was indeed her attacker. Don Giovanni song from the album Opera In Rock - I is released on Mar 2001 . The success of Figaro, particularly when it was repeated in the more congenial atmosphere of Prague, led to two further creative efforts on the part of Mozart and da Ponte: Don Giovanni in 1787, and Così fan tutte in 1790. After the plunge of Don Giovanni into the inferno, all acting characters appear a final time: Donna Anna and her fiancé Don Ottavio; Elvira, who retires into a convent; and Zerlina with her husband Masetto. https://www.britannica.com/topic/Don-Giovanni-opera-by-Mozart. Although there were hurdles and delays in bringing the opera to the stage, Don Giovanni was a great success in Prague and remained in the repertoire there for years. The story goes like this: Mozart was out drinking with friends October 28th, 1787, the night before “Don Giovanni’s” premiere, when one friend remarked that Mozart had not written the overture for his opera yet. Giovanni has a plan: Leporello is to pretend to be him and entice Elvira away, leaving Giovanni, dressed as Leporello, free to seduce her maid, Zerlina. Giovanni and Leporello reappear. Wolfgang Amadeus Mozart, portrait by Johann Georg Edlinger; in the Gemäldegalerie in Berlin, Germany. Giovanni reunites the two and invites them to his castle to join the party. Corrections? It is sung by Don Giovanni's servant Leporello to Elvira during act 1 … Singer Josepha Duschek and her husband, the composer Franz Xaver Duschek, welcomed him to their house and spoilt him with good food, entertainment but most importantly: perfect working conditions. Tirso de Molina, a Spanish poet and dramatist of the Baroque era, created this famous personality Using Leporello as a shield, Giovanni escapes. “Don Giovanni” is a two-act opera composed by Wolfgang Amadeus Mozart. "La ci darem la mano" is a duet sung by Don Giovanni and Zerlina in the first act of Wolfgang Amadeus Mozart's popular opera, "Don Giovanni". Mozart Don Giovanni. The work bored him and again his big rival, Antonio Salieri, had beaten him: he became court bandmaster with an annual salary of 1,200 guilders. It was a great success. Within a generation, however, it was recognized as one of the greatest of all operas. Wilhelm Furtwaengler conducts the Vienna State Opera Chorus and Philharmonic Orchestra performing Mozart's famous opera. The opera that has had artists, philosophers and musicians musing down the years on the lasting significance of this work. 1959 Preview SONG TIME Don Giovanni, K. 527. The premiere of “Don Giovanni” in Prague is a triumph. Scene 4. The opera ends in the tradition of the drama giocoso: good triumphs over evil. The duration of song is 02:36. With links to: the scene itself (with movie, libretto and more information), the roles, the composer and the opera. Outside a tavern in the countryside near Don Giovanni’s castle. Peasants, musicians, dancers, chorus of demons. Don Giovanni - Don Giovanni - Act II: Scene 1. 5/5. The two women leave together. Suddenly, Giovanni and Donna Anna rush out of the palace. Scene 5. Outside Donna Elvira’s house. Won over, Zerlina agrees. Librettist Lorenzo da Ponte and Mozart had a further opportunity to work together. In December 1787 Mozart’s dream came true: he was appointed imperial court composer, but he was not particularly thrilled. Leporello, having made Giovanni promise not to punish him for speaking freely, tells him that his life is scandalous. Masetto stalks into the garden, ignoring Zerlina’s entreaties and accusing her of infidelity. From the audiences' perspective, it's no secret Don Giovanni is quite the womanizer. Learn more about Don Giovanni. Never in the history of dramatic stage music has there been a more perfect collaboration between poet and composer. Although Vienna’s audiences were less enthusiastic than Prague’s, Don Giovanni was appreciated by sophisticated music lovers there. Don Giovanni, in full The Libertine Punished; or, Don Giovanni, Italian Il dissoluto punito; ossia, il Don Giovanni, opera in two acts by Wolfgang Amadeus Mozart (Italian libretto by Lorenzo da Ponte) that premiered at the original National Theatre in Prague on October 29, 1787. Ötödik kép: Don Giovanni lakosztálya.Giovanni fényes lakoma előtt ül, zenészek szórakoztatják (a zenekar korabeli – 18. század végi – zenét játszik, közte a Mozart Figaro házasságából Non piu andrai-t), Leporello pedig felszolgálja az ételt. Updates? Don Giovanni Song, W.A.Mozart. Scene 3. Don Giovanni brushes them off and tells Leporello that he tried to seduce one of Leporello's past girlfriends. Giovanni and Leporello see them from Giovanni’s balcony and, not recognizing them, invite them to the party as well. By the time he and Constanze left for Vienna on February 8 he had secured a commission to write a new opera for Bondini. Related Tags - W.A.Mozart. The great popularity in Prague of Mozart’s previous opera, The Marriage of Figaro, led the theatre’s impresario to commission a new work from the composer. Of far more dramatic musical impact is the entrance of the vengeful ghost (specifically, a stone statue come to life) near the end of the opera. Leporello, servant to Don Giovanni, serves as lookout and waits impatiently as his master daringly breaks into the house to seduce the Commandant’s daughter. Mozart revised the opera for Vienna, where it was performed in May 1788. It is about the character better known as Don Juan.The music was written by Wolfgang Amadeus Mozart.The libretto was written by Lorenzo da Ponte.The opera was first performed at the National Theatre in Prague on 29 October 1787. This song is sung by Wolfgang Amadeus Mozart. Mozart left finishing Don Giovanni until the very latest deadline; legend has it that the scores handed to the orchestra minutes before curtain call were still wet. Masetto, furious, jumps out of the foliage and surprises him, but Giovanni recovers his composure and blithely says that he and Zerlina were just looking for Masetto. They exchange clothes. It is one of Wolfgang Amadeus Mozart’s greatest achievements that he expected this from his singers. A group of peasants are celebrating the engagement of Zerlina and Masetto. Don Giovanni, opera in two acts by Wolfgang Amadeus Mozart (Italian libretto by Lorenzo da Ponte) that premiered on October 29, 1787. The statue demands that Don Giovanni repents. When Zerlina’s screams are heard, interrupting the party, Masetto and the others rush to help her, but the door is locked. As she berates him, the dismayed Giovanni sneaks off. The opera’s subject is Don Juan, the notorious libertine of fiction, and his eventual descent into hell. Our editors will review what you’ve submitted and determine whether to revise the article. Don Giovanni is set in and around Seville (now Sevilla), Spain, in the 17th century. Anna screams and unsuccessfully tries to discover the masked Giovanni’s identity. Ottavio, Anna, and Elvira unmask and threaten Giovanni, who disarms Ottavio with his sword and keeps the mob away. Don Giovanni is an unscrupulous seducer of women in Seville. The men do not recognize her, but she is one of Giovanni’s former conquests, Donna Elvira. Don Pedro, Commandant of Seville and Anna’s father (, Donna Elvira, Don Giovanni’s former lover (soprano). That opera was Don Giovanni, with Lorenzo da Ponte again providing The statue of the Commendatore looms over his grave. Don Giovanni is about a libertine and murderer who refuses to repent when given the chance. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. chi mi dice mai”). The Mozart opera tells the story of the arrogance and downfall of the great seducer of women. Other clever musical touches can be found in the well-known duet “Là ci darem la mano” in Act I. Giovanni promises to marry Zerlina (Duet: “Là ci darem la mano”). Just then, Elvira comes in and warns Zerlina against him. As Giovanni dances with Zerlina, Leporello forces Masetto to dance, allowing Giovanni to drag Zerlina away. He invites everyone to enter his castle to eat and drink. Mozart deftly underscores the action with his music. After the tremendous success of “The Marriage of Figaro”, the people of Prague persuaded “their” revered Wolfgang Amadeus Mozart to create another great opera. All of a sudden, the statue begins to speak. THE RECITATIVE AND ARIA Left alone, and having been betrayed yet again, Elvira struggles with the realization that Don Giovanni is going to be punished by heaven (presumably still through the agency of Don Ottavio and the others trying to kill him, as far as she knows). Delighted, Giovanni orders a huge party (“Finch’han del vino”) and goes off to prepare for it. Let us know if you have suggestions to improve this article (requires login). She tells Ottavio what happened to her on the night her father was killed and again begs him to seek vengeance (“Or sai, chi l’onore”). Second Act, Scene Nineteen. Mozart’s “Don Giovanni” premiered and was celebrated by the audience in Prague. Take advantage of our Presidents' Day bonus! Leporello quickly departs, leaving Elvira even angrier and bent on revenge. His changes included substituting a simpler aria for “Il mio tesoro” (Don Ottavio in Act II) and adding a comic scene between Leporello and Zerlina. The English translation of the haunting final Commendatore scene of Mozart's Don Giovanni. Mozart's Don Giovanni, in the beautiful staging by legendary Franco Zeffirelli is a spectacle with a strong aesthetising component, a feast for the eyes. He is dead set on seducing Donna Anna or Elvira, whom he has already left and who is far from being fond of his advances. Giovanni, at first reluctant, accepts the challenge and proceeds to kill the old man, whereupon he and Leporello escape. The librettist was extremely busy writing for other composers at the Viennese court and decided to adapt an existing libretto on the subject of Don Juan. The opera’s subject is Don Juan, the notorious libertine of fiction, and his eventual descent into hell. Mozart's 'Don Giovanni' Many have called Don Giovanni the finest opera ever composed. The performance marks an impressive beginning indeed for the project. Don Giovanni. Ottavio, left alone, reflects on his love for her (“Dalla sua pace”). She is clinging to him: "Do not expect me ever to let you escape, unless you kill me." The three—Anna, Ottavio, and Elvira—are determined to expose Giovanni to everyone. In the garden outside the Commandant’s mansion. Elvira returns and tries to tell the others what kind of man he really is, but Giovanni tells them that Elvira is mad and takes her away. W.A.Mozart. View credits, reviews, tracks and shop for the Vinyl release of "Don Giovanni" on Discogs. Don Giovanni (titolo originale: Il dissoluto punito ossia il Don Giovanni, K 527) è un'opera lirica in due atti di Wolfgang Amadeus Mozart.. È il secondo dei tre drammi giocosi che il compositore austriaco scrisse su libretto di Lorenzo Da Ponte (che era al servizio del Sacro Romano Imperatore), il quale attinse a numerose fonti letterarie dell'epoca. Linda Cantoni has worked with the Regina Opera Company in various capacities -- onstage, backstage, and offstage -- since its inception forty years ago. Pictured: Kyle Ketelsen, and Marlis Petersen perform as Don Giovanni, Leporello and Donna Anna, the theatre de l'Archeveche in Aix-en-Provence as part of the 62st lyrical art festival. Leporello is looking for a new master. Mozart wrote about his own salary of 800 guilders: “… too much for what I actually do and too little for what I could truly do.” Furthermore, “Don Giovanni” was not a success in Vienna. The audience should feel, laugh and suffer with the characters – an approach unheard of and revolutionary in contemporary opera. Please select which sections you would like to print: While every effort has been made to follow citation style rules, there may be some discrepancies. (Finálé: Goiá la mensa e preparata – „az asztal terítve”.) As his master tells of his latest flame, they spot a veiled woman walking along the road. Don Giovanni MP3 song. He refuses and is dragged into hell. This live recording of Mozart's Don Giovanni inaugurates a series of Mozart operas to be recorded live at the Festspielhaus in Baden-Baden in southwestern Germany, featuring a galaxy of top operatic stars. Atto Secondo, Scena Diciannovesima. Early morning the next day, in a square outside Seville. View credits, reviews, tracks and shop for the 1973 Vinyl release of Don Giovanni - Höhepunkte on Discogs. Giovanni and Leporello admire the girls, and Giovanni is very interested in Zerlina. With Wilhelm Furtwängler, Otto Edelmann, Elisabeth Grümmer, Cesare Siepi. The scene is so powerful that many performances in the 1800s ended with Giovanni’s descent into hell rather than with Mozart’s light final scene. He had placed hints at the beginning of the overture; the foreboding chords symbolize Giovanni’s fate and foreshadow the massive movement of the statue that will end the libertine’s adventures. While ashamed to admit that I never listened to Mozart's DON GIOVANNI (1787) in its entirety, I must report that this recording sent me into near rapture. Don Giovanni MP3 Song, W.A.Mozart. Leporello, curtly explaining to her that she is not his master’s only victim and will surely not be the last, relates the catalogue of Giovanni’s conquests to her (“Madamina, il catalogo è questo”): 640 in Italy, 231 in Germany, 100 in France, a mere 91 in Turkey, but 1,003 in Spain! Editors' Notes Sony’s Mozart cycle culminates with this tremendous production, one that witnesses Greek-Russian conductor Teodor Currentzis evoking fear, trembling, and desire from the great Don Giovanni.. “Fin ch’han dal vino” is demonic, a fitting cherry on top of this controversial interpretation that forcefully demonstrates the extreme range of Mozart’s talent. Today it may seem inconceivable that authentic acting was no matter of course on the opera stages in Mozart’s time. Don Giovanni, K. 527: Overture. Mozart. Accompanied by his cunning servant Leporello, he leaves conquests, jealousies and broken hearts in his wake. Not realizing that Giovanni is the man who, masked, had assaulted her and killed her father, Anna seeks his help. She urges Masetto to beat her if he wants, as long as they make up (“Batti, batti, o bel Masetto”). Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Leporello meets Don Giovanni in the graveyard next to Commendatore's statue and tells Giovanni of the dangers he encountered. When the angry crowd threatens to break down the door, Giovanni reappears, with Leporello at sword’s point. Don Giovanni, W.A.Mozart. October 31 – November 9, 2019 | Past Production. Buy Tickets. Her father appears, brandishing a sword, and challenges Giovanni to a duel; Anna runs to get help. " Madamina, il catalogo è questo" (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias. Unsurprisingly, rehearsals were strenuous, with the orchestra and singers struggling with the challenging music to meet Mozart’s expectations. Mozart wanted to keep the same librettist, da Ponte, for the new work. But he detains Zerlina, to the annoyance of her fiancé, who is finally persuaded to go with the others. Don Giovanni agrees against the advice of his servant Leporello. Giovanni renews his attentions and tries to draw her aside into the very place where Masetto is hiding. Scene 1. When they hear Giovanni approaching, Zerlina becomes agitated, and Masetto, suspicious, hides so that he can watch them. He heartily welcomes the masked trio as they come in. Lorenzo Da Ponte crafted the Italian libretto. Leporello relates how he got the villagers drunk and managed to lock Elvira out of the house. Scene 2. Giovanni proclaims that his lackey is the attacker. Please refer to the appropriate style manual or other sources if you have any questions. His opponent is the Commendatore, Donna Anna’s father, whom he murders in a duel. Omissions? Finally he discovers Zerlina at a peasant wedding… He constantly falls freshly in love and leaves his current lover to leap into the arms of another. Don Giovanni is an intense and emotion laden opera and showcases the darker side of Mozart's persona." As the duet begins, Giovanni and his prey have alternate verses, but, as the conquest ensues, they begin to blend in harmony, the music reflecting their emotional unity. The music by which the ghost appears is some of the most formidable that Mozart would ever write. Don Giovanni, Act II, Commendatore scene. When Giovanni, pleased at the prospect of another conquest, approaches to comfort her, she recognizes him as the man who had abandoned her. He grumbles about his thankless job—no sleep, little pay, hard work (“Notte e giorno faticar”). Mozart always considered it important for his singers to imbue his arias with emotion and expression. They are struggling. Get a Britannica Premium subscription and gain access to exclusive content. Mozart and his wife travelled there in January 1787, and it was from Prague that the composer wrote to Jacquin. Mozart composed this for her, which turned out to be one of the great jewels of the opera. Don’t miss this outrageous comedy of an incorrigible young playboy who blazes a path to his own destruction in a single day. Once they have left, three masked figures enter the garden. Leporello is not amused, but Don Giovanni laughs heartily. Firmly grounded in the tradition of the Italian commedia dell’arte, … Illustration (c. 1914) of a scene from Wolfgang Amadeus Mozart's opera. In the garden outside Don Giovanni’s castle. Inside the ballroom of Don Giovanni’s castle. For Mozart, it was an unusually intense work, and it was not entirely understood in his own time. Share on Facebook; Share on Twitter; Share Every woman wants him, every man wants to be him: Mozart’s version of the irresistible rogue who brings excitement with him and leaves destruction in his wake has always attracted top singing actors, as … Anna returns with her fiancé, Don Ottavio, to find her father dead; she makes Ottavio swear to avenge her father’s death. Directed by Paul Czinner. Browse through all arias from Don Giovanni by Mozart. Don Giovanni! Looking at it today, perhaps Don Giovanni is something in-between. As the guests dance, Giovanni continues his pursuit of Zerlina. a cenar teco m'invitasti" has become an immortal line of the opera and the duet that follows is one major ones in Opera history. Masetto relents. Anna and Ottavio arrive. Mozart classified Don Giovanni as an “opera buffa”, a genre characterized by comical scenes and roles in identifiable, everyday situations, as opposed to “opera seria” which generally treats historical or mythological topics. Recitativo “Orsù, spicciati presto” (“Come on now, hurry up”) from Act I, scene 4, of Wolfgang Amadeus Mozart's, The aria “Madamina, il catalogo e questo” (“My dear lady, this is a list”); from Act I, scene 5, of Wolfgang Amadeus Mozart's. Mozart matches musical characteristics to various adjectives, so that petite women are portrayed with short notes and ladies of more grandeur are described with longer note values. Even Emperor Joseph II said of Wolfgang Amadeus Mozart’s masterpiece: “… this is no treat for my Viennese.”, Marrying Constanze and Abduction from the Seraglio, The Obligation of the First and Foremost Commandment. This 3-CD set is a FULL performance of the Mozart opera.
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